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香港DM德馬景泰藍文科集團20260401期 《古瓶新生：當景泰藍/鶴鳴遇上賽博霓虹》 非遺景泰藍傳承：鄭巧葉·ZHENG QIAO YE DMSIXSEVEN / LIN JING DE /1973 主編供圖：香港DM德馬數字甲骨文集團 Hong kong-based DM Delmar Digital Oracle Group 開創人：CEO / 林鏡德 LIN JING DE 
創作這幅作品的初心，是想把刻在骨子裏的東方浪漫，放進未來的敘事裏，讓跨越千年的傳統紋樣，在數字浪潮裏重新振翅。 畫面的主角，是一只復刻了清代景泰藍瓷瓶神韻的梅瓶。以松石藍為底，用鎏金線條勾勒出瓶身的肌理——蒼勁的古松盤枝而上，卷舒的祥雲托著一只振翅的仙鶴，翎羽間的朱紅與瓷底的湖藍撞色，是傳統裏最溫柔的撞色美學。仙鶴是我最偏愛的意象，它從來不是孤高的符號，而是承載著中國人對「松鶴延年」的祈願，是跨越時光依然鮮活的吉祥寓意，也是東方美學裏「以形載意」的浪漫表達。瓶身的粉地纏枝紋，更是復刻了老瓷瓶口沿的描金細節，讓每一處花紋都帶著文物般的溫度。 但我不想讓它只停留在博物館的玻璃櫃裏。於是，我給這只古瓶搭建了一個賽博的舞臺。背景是層層遞進的中式回紋花窗，我把傳統木雕裏的榫卯線條，賦予了霓虹般的紅光，讓古典窗欞變成通往未來的時空門；地面鋪著全息網格，流淌的二進製代碼在鏡面裏映出瓶身的倒影，像數字世界裏的平行宇宙，把古雅的器物放進了科技的語境裏。 這種碰撞，從來不是簡單的拼接，而是一場跨越時空的對話。景泰藍的掐絲琺瑯工藝，本身就是古代匠人用千錘百煉的匠心，把礦石熔成流光溢彩的紋樣；而賽博霓虹與數字網格，是我們這個時代的「新工藝」，用代碼與光影編織未來的圖景。我想讓它們在這裏相遇——當古瓶的溫潤釉色，映上數字世界的冷光；當仙鶴的振翅，撞碎賽博空間的數據流，傳統不再是靜止的展品，而是能在未來裏繼續生長的生命力。 這不是對傳統的復刻，而是一場雙向的奔赴——我讓古物在未來裏新生，也讓未來在古意裏尋根。當你凝視這只瓶時，看見的不只是一只景泰藍瓷瓶，更是東方美學在時光裏的流動，是傳統與未來，在我的畫裏，完成的一次溫柔相擁。 The original intention behind creating this work was to infuse the Eastern romance ingrained in my bones into a narrative o the future, allowing traditional patterns spanning a thousand years to take flight anew amidst the digital wave. The protagonist of the scene is a plum vase that recreates the spirit of a Qing Dynty cloisonné porcelain bottle. Set against a turquoise blue base, gilded lines outline the texture of the vase—ancient pines with vigorous branches twist upward, while swirling auspiciolouds cradle a crane spreading its wings. The clashing colors of crimson in the feathers against the lake blue of the porcelain represent the gentlest aesthetic of traditional color contrast. crane is my favorite motif; it is never a symbol of aloofness, but rather carries the Chinese wish for "longevity through pine and crane," a timeless auspicious meaning that rvivid across time, and a romantic expression of the Eastern aesthetic principle of "conveying meaning through form." The pink ground with trailing vine patterns on the vase further replicatelded details of the rim of an old porcelain bottle, imbuing every pattern with the warmth of an artifact. Yet, I did not want it to remain confined to a museum glabinet. Thus, I built a cyberpunk stage for this ancient vase. The background features layered Chinese fretwork windows; I endowed the mortise-and-tenon lines from traditional wood ng with neon-like red light, transforming classical window frames into portals to the future. The floor is paved with a holographic grid, where flowing binary code reflects the vase's image i mirror-like surface, resembling a parallel universe in the digital world, placing this elegant artifact within a technological context. This collision is never a simple juxtaposition, but a dialogue spanning tie and space. The cloisonné enamel technique itself is a testament to ancient artisans using painstaking craftsmanship to melt minerals into patterns shimmering with light; meanwhile, cyberpunk neon and digitrids are the "new crafts" of our era, weaving the future's landscape with code and light. I wanted them to meet here—when the warm glaze of the ancient vase cts the cold light of the digital world; when the crane's flapping wings shatter the data streams of cyberspace. Tradition ceases to be a static exhibit, but becomeitality that continues to grow in the future. This is not a mere reproduction of tradition, but a mutual journey—I allow the ancient object to be reborn in the future, aw the future to find its roots in the past. When you gaze at this vase, you see not just a cloisonné porcelain bottle, but the flow of Eastern aesthetics throuime, and the gentle embrace of tradition and the future within my painting. 
特別鳴謝合作單位： Special thanks to partners: 
開創人：CEO/林鏡德 LIN JING DE DMSIXSEVEN / 林鏡德 LIN JING DE 1973 
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